"Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book--Sex Variants: A Study of Homosexual Patterns--and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan's tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time"--Dust jacket flap.

""A modern coming-of-age full of love, desperation, heartache, and magic" (Andrew Sean Greer, Pulitzer Prize-winning author) about "the ways in which family, grief, love, queerness, and vulnerability all intersect" (Kristen Arnett, New York Times bestselling author). Perfect for fans of The Perks of Being a Wallflower and The Thirty Names of Night"-- Provided by publisher.

Before becoming the actor, producer, advocate, and model that people know today, Nyle DiMarco was half of a pair of Deaf twins born to a multi-generational Deaf family in Queens, New York. Nyle shares stories, both heartbreaking and humorous, of what it means to navigate a world built for hearing people. This is more than a memoir, it is a cultural anthem - a proud and defiant song of Deaf culture and a love letter to American Sign Language, Nyle's primary language.

"Nineteen eighties Detroit was a volatile place to live, but above the fray stood a safe haven: Chung's Cantonese Cuisine, where anyone--from the city's first Black mayor to the local drag queens, from a big-time Hollywood star to elderly Jewish couples--could sit down for a warm, home-cooked meal. Here was where, beneath a bright-red awning and surrounded by his multigenerational family, filmmaker and activist Curtis Chin came of age; where he learned to embrace his identity as a gay ABC, or American-born Chinese; where he navigated the city's spiraling misfortunes; and where--between helpings of almond boneless chicken, sweet-and-sour pork, and some of his own, less-savory culinary concoctions--he realized just how much he had to offer to the world, to his beloved family, and to himself. Served up by the cofounder of the Asian American Writers' Workshop and structured around the very menu that graced the tables of Chung's, Everything I learned, I learned in a Chinese restaurant is both a memoir and an invitation: to step inside one boy's childhood oasis, scoot into a vinyl booth, and grow up with him--and perhaps even share something off the secret menu"--Provided by publisher.

"An autobiography-viewing the author's life from the transformative lens of her recent transition-and a critical examination of the trans strain in Western culture"-- Provided by publisher.

"Fourteen years old and growing up in the Middle East, Lamya is an overachiever and a class clown, qualities that help her hide in plain sight when she realizes she has a crush on her teacher-her female teacher. She's also fourteen when she reads a passage in Quran class about Maryam, known as the Virgin Mary in the Christian Bible, that changes everything. Lamya learns that Maryam was untempted by an angelically handsome man, and later, when told she is pregnant, insists no man has touched her. Could Maryam be... like Lamya? Spanning childhood to an elite college in the US and early adult life in New York City, each essay places Lamya's struggles and triumphs in the context of some of the most famous stories in the Quran. She juxtaposes her coming out with Musa liberating his people from the Pharoah; asks if Allah, who is neither male nor female, might instead be nonbinary; and, drawing strength from the faith and hope of Nuh building his ark, begins to build a life of her own-all the while discovering that her identity as a queer, immigrant devout Muslim is, in fact, the answer to her quest for safety and belonging"-- Provided by publisher.

"In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that what they call 'inversion,' or homosexuality, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage there is a third party: John has a lover, a working class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry. John and Catherine have three grown daughters and a long, settled marriage, over the course of which Catherine has tried to accept her husband’s sexuality and her own role in life; Henry and Edith’s marriage is intended to be a revolution in itself, an intellectual partnership that dismantles the traditional understanding of what matrimony means. Shortly before the book is to be published, Oscar Wilde is arrested. John and Henry must decide whether to go on, risking social ostracism and imprisonment, or to give up the project for their own safety and the safety of the people they love. Is this the right moment to advance their cause? Is publishing bravery or foolishness? And what price is too high to pay for a new way of living?"-- Publisher's webpage.

"A sweeping multigenerational novel following a family in East Germany as they fracture and come back together"-- Provided by publisher.

In Alison Bechdel's hilariously skewering and gloriously cast new comic novel confection, a cartoonist named Alison Bechdel, running a pygmy goat sanctuary in Vermont, is existentially irked by a climate-challenged world and a citizenry on the brink of civil war. She wonders: Can she pull humanity out of its death spiral by writing a scathingly self-critical memoir about her own greed and privilege? Meanwhile, Alison's first graphic memoir about growing up with her father, a taxidermist who specialized in replicas of Victorian animal displays, has been adapted into a highly successful TV series. It's a phenomenon that makes Alison, formerly on the cultural margins, the envy of her friend group (recognizable as characters, now middle-aged and living communally in Vermont, from Bechdel's beloved comic strip Dykes to Watch Out For). As the TV show Death and Taxidermy racks up Emmy after Emmy-and when Alison's Pauline Bunyanesque partner Holly posts an instructional wood-chopping video that goes viral-Alison's own envy spirals. Why couldn't she be the writer for a critically lauded and wildly popular reality TV show, like Queer Eye, showing people how to free themselves from consumer capitalism and live a more ethical life?!!

"Every great city has a soul. A human avatar that embodies their city's heart and wields its magic. New York? She's got six. But all is not well in the city that never sleeps. Though Brooklyn, Manny, Bronca, Venezia, Padmini, and Neek have temporarily managed to stop the Woman in White from invading--and destroying the entire universe in the process--the mysterious capital "E" Enemy has more subtle powers at her disposal. A new candidate for mayor wielding the populist rhetoric of gentrification, xenophobia, and "law and order" may have what it takes to change the very nature of New York itself and take it down from the inside. In order to defeat him, and the Enemy who holds his purse strings, the avatars will have to join together with the other Great Cities of the world in order to bring her down for good and protect their world from complete destruction"-- Provided by publisher.